Leaving Las Vegas [DVD] [1995]
Directed by Mike Figgis
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Editorial Reviews
Amazon.co.uk Review
One of the most critically acclaimed films of 1995, this wrenchingly sad but extraordinarily moving drama provides an authentic, superbly acted portrait of two people whose lives intersect just as they've reached their lowest depths of despair. Ben (Nicolas Cage, in an Oscar-winning performance) is a former movie executive who's lost his wife and family in a sea of alcoholic self-destruction. He's come to Las Vegas literally to drink himself to death, and that's when he meets Sera (Elisabeth Shue), a prostitute who falls in love with him--and he with her--despite their mutual dead-end existence. They accept each other as they are, with no attempts by one to change the other, and this unconditional love turns Leaving Las Vegas into a sombre yet quietly beautiful love story. Earning Oscar nominations for Best Director (Mike Figgis), Best Adapted Screenplay (Figgis, from John O'Brien's novel) and Best Actress (Shue), the film may strike some as relentlessly bleak and glacially paced, but attentive viewers will readily discover the richness of these tragic characters and the exceptional performances that bring them to life. (In a sad echo of his own fiction, novelist John O'Brien committed suicide while this film was in production.) --Jeff Shannon
Synopsis
With LEAVING LAS VEGAS, director Mike Figgis spun critical gold out of what would appear to be a maudlin and hackneyed premise--a down-and-out drunk meets a hooker with a heart of gold. The reason for the film's success lies partly in its refusal to moralize, but mostly it is the strong performances of Nicholas Cage and Elisabeth Shue that make the story believable and poignant. Ben Sanderson (Cage) is a Hollywood screenwriter who has become an alcoholic. After being fired, he takes his severance pay to Las Vegas, where he plans to drink himself to death. There he meets Sera (Shue), a streetwise prostitute who responds both to Ben's wild antics and to his absolute gentleness. What Sera needs most is to be needed, and Ben needs her a lot. Figgis uses his whole bag of tricks--Sera talks to the camera, the exteriors are shot in grainy 16mm--but finally it is the perfectly-conceived relationship between these two wounded people that drew the rave reviews. The film was based on a novel by John O'Brien.
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